The Mottled Screen studies a great literary work that cannot be confined
to language alone, even though it consists exclusively of words:
Proust's Remembrance of Things Past. The author offers a sustained
"visual" reading of Proust's masterpiece, pointing out its visual
strategies of representation, fantasy, and poetic thought. Beginning
with the attempts to emulate painting, the book develops a Proust a la
Chardin, working around Chardin's painting The Skate, but only after
first reading Chardin through Proust. The second part of the book is
devoted to Proust's use of optical instruments - such as the magnifying
glass, the eyeglass, the telescope - to produce or enhance the visions
that constitute the raw material of his poetic imagination. The final
part reads the specifically "photographic" writing that permeates
Remembrance as a highly original and astonishingly contemporary, almost
postmodern, poetics.