With the great Renaissance voyages to the New World came the popularity
of Wunderkammern, or cabinets of wonders, in which newly discovered
monsters and marvels could be displayed. Like such a cabinet, this
collection of essays surveys the monstrous and the marvelous--as
transmuted in the alembic of Rikki Ducornet's open-hearted vision--in
literature, art and film. For her, excess anomaly, and heterodoxy entice
the imagining mind to embrace otherness, enlarge the world and
regenerate Eden.