Monsters, grotesque creatures, and giants were frequently depicted in
Italian Renaissance landscape design, yet they have rarely been studied.
Their ubiquity indicates that gardens of the period conveyed darker,
more disturbing themes than has been acknowledged.
In The Monster in the Garden, Luke Morgan argues that the monster is a
key figure in Renaissance culture. Monsters were ciphers for
contemporary anxieties about normative social life and identity. Drawing
on sixteenth-century medical, legal, and scientific texts, as well as
recent scholarship on monstrosity, abnormality, and difference in early
modern Europe, he considers the garden within a broader framework of
inquiry. Developing a new conceptual model of Renaissance landscape
design, Morgan argues that the presence of monsters was not incidental
but an essential feature of the experience of gardens.