The modernist period saw a revolution in fictional practice, most
famously in the work of novelists such as Joyce and Woolf. Dominic Head
shows that the short story, with its particular stress on literary
artifice, was a central site for modernist innovation. Working against a
conventional approach and towards a more rigourous and sophisticated
theory of the genre, using a framework drawn from Althusser and Bakhtin,
he examines the short story's range of formal effects, such as the
disunifying function of ellipsis and ambiguity. Separate chapters on
Joyce, Woolf and Katherine Mansfield highlight their strategies of
formal dissonance, involving a conflict of voices within the narrative.
Finally, Dominic Head's challenging conclusion takes the implications of
his study into the age of postmodernism.