The Migration and Politics of Monsters in Latin America proposes a
cinematic cartography of contemporary Latin American horror films that
take up the idea of the American continent as a space of radical
otherness, or monstrosity, and use it for political purposes. The book
explores how Latin American film directors migrate foreign horror tropes
to create cinematographic horror hybrids that reclaim and transform
monstrosity as a form of historical rewriting. By emphasizing the
specificities of the Latin American experience, this book contributes to
broad scholarship on horror cinema, at the same time connecting the
horror tradition with contemporary discussions on violence, migration,
fear of immigrants, and the rewriting of colonial discourses.