Georges Vigarello maps the evolution of Western ideas about fat and fat
people from the Middle Ages to the present, paying particular attention
to the role of science, fashion, fitness crazes, and public health
campaigns in shaping these views. While hefty bodies were once a sign of
power, today those who struggle to lose weight are considered poor in
character and weak in mind. Vigarello traces the eventual equation of
fatness with infirmity and the way we have come to define ourselves and
others in terms of body type.
Vigarello begins with the medieval artists and intellectuals who treated
heavy bodies as symbols of force and prosperity. He then follows the
shift during the Renaissance and early modern period to courtly,
medical, and religious codes that increasingly favored moderation and
discouraged excess. Scientific advances in the eighteenth century also
brought greater knowledge of food and the body's processes, recasting
fatness as the "relaxed" antithesis of health. The body-as-mechanism
metaphor intensified in the early nineteenth century, with the chemistry
revolution and heightened attention to food-as-fuel, which turned the
body into a kind of furnace or engine. During this period, social
attitudes toward fat became conflicted, with the bourgeois male belly
operating as a sign of prestige but also as a symbol of greed and
exploitation, while the overweight female was admired only if she was
working class. Vigarello concludes with the fitness and body-conscious
movements of the twentieth century and the proliferation of personal
confessions about obesity, which tied fat more closely to notions of
personality, politics, taste, and class.