The Metamorphoses of Commedia dell'Arte traces the steps by which
Commedia has been transformed by cultural contact outside Italy into
popular forms which bear little resemblance to the original. The book
follows the Masks of Arlecchino, Pedrolino and Pulcinella as they
gradually migrate and mutate into Harlequin, Mr. Punch and seaside
Pierrot troupes. What happened to Pantalone, Scaramouche, Colombina and
the male Lover is also investigated, though they had no final forms of
their own. This study constitutes a history of what happened, notably in
France and Great Britain, to a supremely popular theatrical genre as a
result of changing fashions in entertainment brought on by societal
developments, civil and industrial revolution and dynastic change. It
investigates how the genre was exploited by management, and even its own
stars, lost its vitality and gradually ended up in 'sunken' forms.