Politically and historically, the Mediterranean has been a space for
critical dialogue for competing and often antagonistic voices, and still
functions as meeting place for diverse and interdisciplinary approaches.
Although other academic disciplines have attempted a unified approach to
Mediterranean studies, until recently Mediterranean music as a singular
concept has received relatively little scholarly development. This
volume is a crucial first step and investigates several musical cultures
that have traditionally demonstrated common threads, trends, and
interactions. The music of Greece, Crete, Turkey, Albania, Corsica,
Italy, Spain, Morocco, Algeria and Palestine are all considered in this
volume as the scholars represented here reveal the musical commonality
among otherwise divergent traditions. Unnecessary technical jargon is
avoided, and an interdisciplinary approach embracing ethnology and
material culture considerations makes this volume relevant not only to
musicologists and anthropologists, but likewise to the general reader
interested in tourism.