Ernest Hemingway was an involuntary chameleon, who would shift
seamlessly from a self-cultivated image of hero, aesthetic radical, and
existential non-conformist to a figure made up at various points of
selfishness, hypocrisy, self-delusion, narcissism and arbitrary
vindictiveness. Richard Bradford shows that Hemingway's work is by parts
erratic and unique because it was tied into these unpredictable, bizarre
features of his personality. Impressionism and subjectivity always play
some part in the making of literary works. Some authors try to subdue
them while others treat them as the essentials of creativity but they
endure as a ubiquitous element of all literature. They are the writer's
private signature, their authorial fingerprint. In this ground-breaking
and intensely revealing biography, which includes a complete
reassessment of Hemingway's oeuvre Hemingway's unfixed personality is
shown to be the index to why and how he wrote as he did.