This revised third edition of The Male Dancer updates and enlarges a
seminal book that has established itself as the definitive study of the
performance of masculinities in twentieth century modernist and
contemporary choreography.
In this authoritative and lively study, Ramsay Burt presents close
readings of dance works from key moments of social and political change
in the norms around gender and sexuality. The book's argument that
prejudices against male dancers are rooted in our ideas about the male
body and behaviour has been extended to take into account recent
interdisciplinary discussions about whiteness, intersectionality,
disability studies, and female masculinities. As well as analysing works
by canonical figures like Nijinsky, Graham, Cunningham, and Bausch, it
also examines the work of lesser-known figures like Michio Ito and Eleo
Pomare, as well as choreographers who have recently emerged
internationally like Germaine Acogny and Trajal Harrell.
The Male Dancer has proven to be essential reading for anyone interested
in dance and the cultural representation of gender. By reflecting on the
latest studies in theory, performance, and practice, Burt has thoroughly
updated this important book to include dance works from the last ten
years and has renewed its timeliness for the 2020s.