How religion, gender, and urban sociality are expressed in and mediated
via television drama in Kinshasa is the focus of this ethnographic
study. Influenced by Nigerian films and intimately related to the
emergence of a charismatic Christian scene, these teleserials integrate
melodrama, conversion narratives, Christian songs, sermons, testimonies,
and deliverance rituals to produce commentaries on what it means to be
an inhabitant of Kinshasa.