The Magpie and the Child tells a story of great loss, love, and
learning. The volume starts from the days before the poetic journey, in
a sort of pre-exploration of events before they were events, moving to
and through the death of her child Emily at almost eleven years old from
an unsuspected heart condition. The poems speak, lament, and sing among
the metaphors and religious resonances that such mourning must inspire.
The thieving magpie of the prefatory title poem pecks at its own image
in the glass while the poet daubs the hope of intervening blood on the
"trembling lintel of faith." The volume is filled with self-examination,
suffering, remembered conversations with the living child, and very real
ones with the dead, each of which record the steps of the emotional
journey. The second half of The Magpie and the Child is an extended
sequence taking the form of a fragmented diary, one that captures the
pain of loss in a skeptical age yet insists on the ritual compensation
of belief. In the rigors of its form, the depth of its despair, and the
necessary belief in the meaning of its artistic act, Clutterbuck's
poetry carefully and beautifully maintains this very delicate balance.