The great director John Ford (1894-1973) is best known for classic
westerns, but his body of work encompasses much more than this single
genre. Jeffrey Richards develops and broadens our understanding of
Ford's film-making oeuvre by studying his non-Western films through the
lens of Ford's life and abiding preoccupations. Ford's other cinematic
worlds included Ireland, the Family, Catholicism, War and the Sea, which
share with his westerns the recurrent themes of memory and loss, the
plight of outsiders and the tragedy of family breakup. Richards'
revisionist study both provides new insights into familiar films such as
The Fugitive (1947); The Quiet Man (1952), Gideon's Way and The
Informer (1935) and reclaims neglected masterpieces, among them Wee
Willie Winkie (1937) and the extraordinary The Long Voyage Home.
(1940).