American cities entered a new phase when, beginning in the 1950s,
artists and developers looked upon a decaying industrial zone in Lower
Manhattan and saw, not blight, but opportunity: cheap rents, lax
regulation, and wide open spaces. Thus, SoHo was born. From 1960 to
1980, residents transformed the industrial neighborhood into an artist
district, creating the conditions under which it evolved into an
upper-income, gentrified area. Introducing the idea--still potent in
city planning today--that art could be harnessed to drive municipal
prosperity, SoHo was the forerunner of gentrified districts in cities
nationwide, spawning the notion of the creative class.
In The Lofts of SoHo, Aaron Shkuda studies the transition of the
district from industrial space to artists' enclave to affluent
residential area, focusing on the legacy of urban renewal in and around
SoHo and the growth of artist-led redevelopment. Shkuda explores
conflicts between residents and property owners and analyzes the city's
embrace of the once-illegal loft conversion as an urban development
strategy. As Shkuda explains, artists eventually lost control of SoHo's
development, but over several decades they nonetheless forced scholars,
policymakers, and the general public to take them seriously as critical
actors in the twentieth-century American city.