The first full-length examination of the medieval Charlemagne tradition
in the literature and culture of medieval England, from the Chanson de
Roland to Caxton.
The Matter of France, the legendary history of Charlemagne, had a
central but now largely unrecognised place in the multilingual culture
of medieval England. From the early claim in the Chanson de Roland that
Charlemagne held England as his personal domain, to the later
proliferation of Middle English romances of Charlemagne, the materials
are woven into the insular political and cultural imagination. However,
unlike the wide range of continental French romances, the insular
tradition concentrates on stories of a few heroic characters: Roland,
Fierabras, Otinel. Why did writers and audiences in England turn again
and again to these narratives, rewriting and reinterpreting them for
more than two hundred years?
This book is the first full-length study of the tradition. It
investigates the currency and impact of the Matter of France with equal
attention to English and French-language texts, setting each individual
manuscript or early printed text in its contemporary cultural and
political context. The narratives are revealed to be extraordinarily
adaptable, using the iconic opposition between Carolingian and Saracen
heroes to reflect concerns with national politics, religious identity,
the future of Christendom, chivalry and ethics, and monarchy and
treason.