A mystical masterwork
This book by the great Barbadian poet Kamau Brathwaite is
characteristically sui generis, vatic, and strange, exhibiting ornery
bravura. Tonally and typographically frenetic in the 'sycorax video
style' he's been employing for decades, the work examines a major theme
appropriate to a great poet in the late stages of his career: that of
the afterlife. Brathwaite performs a kind of spiritual/aesthetic GPS in
his poetry and is is a poet of undeniable stature, writing the final
poems of his career. Central to the book is a series of poems outlining
the speaker's (the poet's) experiences with what he calls "Cultural
Lynching." These poems speak of appropriation, theft, isolation, and
exploitation, all within a context of an American hegemony that
intensifies the racial politics and ageism underlying the events
described. The speaker's pain and outrage are almost overwhelming.
Filled with longing, rage, nostalgia, impotence, wisdom, and love, this
book is moving in every sense of the word.