This book presents a cognitive stylistic analysis of the writing of
Siegfried Sassoon, a First World War poet who has typically been
perceived as a poet of protest and irony, but whose work is in fact
multi-faceted and complex in theme and shifted in style considerably
throughout his lifetime. The author starts from the premise that a more
systematic account of Sassoon's style is possible using the methodology
of contemporary stylistics, in particular Cognitive Grammar. Using this
as a starting point, he revisits common ideas from Sassoon scholarship
and reconfigures them through the lens of cognitive stylistics to
provide a fresh perspective on Sassoon's style. This book will be of
interest to students and scholars of stylistics, war poetry,
twentieth-century literature, and cognitive linguistics.