This book presents an extended account of the language of dystopia,
exploring the creativity and style of dystopian narratives and mapping
the development of the genre from its early origins through to
contemporary practice. Drawing upon stylistic, cognitive-poetic and
narratological approaches, the work proposes a stylistic profile of
dystopia, arguing for a reader-led discussion of genre that takes into
account reader subjectivity and personal conceptualisations of
prototypicality. In examining and identifying those aspects of language
that characterise dystopian narratives and the experience of reading
dystopian fictions, the work discusses in particular the manipulation
and construction of dystopian languages, the conceptualisation of
dystopian worlds, the reading of dystopian minds, the projection of
dystopian ethics, the unreliability of dystopian refraction, and the
evolution and hybridity of the dystopian genre.