Moshe Barasch, an authority on art theory, tackles the complex question
of how art works as language. Barasch shows how, once an art work is
seen and understood, a new, communicative function is effectively added
to the work. In an engaging style Barasch moves from the art and
civilization of Ancient Egypt to that of modern Europe, and effortlessly
shows a full and surprising range of language in art--from the magical
to the impious, from the ambiguous to the didactic, from the scientific
to the propagandistic. Barasch contemplates a variety of mediums
including sculpture, painting, mural, statuary, woodcuts, bas-relief,
even music. Over one hundred illustrations are included as an integral
part of the discussion.