Ignored by virtually everyone upon its release in November 1968, 'The
Kinks Are The Village Green Preservation Society' is now seen as one of
the best British albums ever recorded. Here, Andy Miller traces the
perilous circumstances surrounding its creation, and celebrates the
timeless, perfectly crafted songs pieced together by a band who were on
the verge of disintegration and who refused to follow fashion.
EXCERPT
'Big Sky' contains some of the most beautiful, thunderous music The
Kinks ever recorded, aligned to a vulnerability and warmth no other
group - and I mean no other group - could ever hope to equal. It is a
perfectly balanced production. On the one hand, the mesh of clattering
drums and electric guitar never threatens to overwhelm the melody; on
the other, the gossamer-light harmonies, Ray and Dave's vocal line
traced by Rasa Davies' wordless falsetto, are bursting with emotion.
When most of the instruments drop away at 1.20, the effect is
effortlessly vivid - two lines where Davies' performance is both
nonchalant and impassioned. The result is wonderfully, enchantingly sad,
made more so perhaps by the knowledge that The Kinks will never again
sound so refined or so right.