Throughout most of history, in China the insane were kept within the
home and treated by healers who claimed no specialized knowledge of
their condition. In the first decade of the twentieth century, however,
psychiatric ideas and institutions began to influence longstanding
beliefs about the proper treatment for the mentally ill. In The
Invention of Madness, Emily Baum traces a genealogy of insanity from
the turn of the century to the onset of war with Japan in 1937,
revealing the complex and convoluted ways in which "madness" was
transformed in the Chinese imagination into "mental illness."
Focusing on typically marginalized historical actors, including
municipal functionaries and the urban poor, The Invention of Madness
shifts our attention from the elite desire for modern medical care to
the ways in which psychiatric discourses were implemented and redeployed
in the midst of everyday life. New meanings and practices of madness,
Baum argues, were not just imposed on the Beijing public but
continuously invented by a range of people in ways that reflected their
own needs and interests. Exhaustively researched and theoretically
informed, The Invention of Madness is an innovative contribution to
medical history, urban studies, and the social history of
twentieth-century China.