By taking as its point of departure the privileged relationship between
the crime novel and its setting, this book is the most wide-ranging
examination of the way in which Italian detective fiction in the last
twenty years has become a means to articulate the changes in the social
landscape of the country. Nowadays there is a general acknowledgment of
the importance of place in Italian crime novels. However, apart from a
limited scholarship on single cities, the genre has never been
systematically studied in a way that so comprehensively spans Italian
national boundaries. The originality of this volume also lies in the
fact that the author have not limited her investigation to a series of
cities, but rather she has considered the different forms of (social)
landscape in which Italian crime novels are set. Through the analysis of
the way in which cities, the "urban sprawl," and islands are represented
in the serial novels of eleven of the most important contemporary crime
writers in Italy of the 1990s, Pezzotti articulates the different ways
in which individual authors appropriate the structures and tropes of the
genre to reflect the social transformations and dysfunctions of
contemporary Italy. In so doing, this volume also makes a case for the
genre as an instrument of social critique and analysis of a still
elusive Italian national identity, thus bringing further evidence in
support of the thesis that in Italy detective fiction has come to play
the role of the new "social novel."