The Idea of the Book and the Creation of Literature explores the
intersection of literary history and the history of the book. For
several millennia, books have been the material embodiment of knowledge
and culture, and an essential embodiment for any kind of knowledge
involving texts. Texts, however, do not need to be books-they are not
even necessarily written. The oldest poems were composed to be recited,
and only written down centuries later. Much of the most famous poetry of
the English Renaissance was composed in manuscript form to circulate
among a small social circle. Plays began as scripts for performance.
What happens to a play when it becomes a book, or to a collection of
poems circulated among friends when it becomes a volume of sonnets? How
do essays, plays, poems, stories, become Works? How is an author
imagined? In this new addition to the Oxford Textual Perspectives
series, Stephen Orgel addresses such questions and considers the idea of
the book not simply as a
container for written work, but as an essential element in its
creation.