A brilliant work of historical excavation with profound echoes in an
age redolent with violence and xenophobia
Early in the twentieth century, amid the myths of progress and modernity
that underpinned Mexico's ruling party, some three hundred Chinese
immigrants--close to half of the Cantonese residents of the newly
founded city of Torreón--were massacred over the course of three days.
It is considered the largest slaughter of Chinese people in the history
of the Americas, but more than a century later, the facts continue to be
elusive, mistaken, and repressed.
"And what do you know about the Chinese people who were killed here?"
Julián Herbert asks anyone who will listen. An exorcism of persistent
and discomfiting ghosts, The House of the Pain of Others attempts a
reckoning with the 1911 massacre. Looping, digressive, and cinematic,
Herbert blends reportage, personal reflection, essay, and academic
research to portray the historical context as well as the lives of the
perpetrators and victims of the "small genocide." This brilliant
historical excavation echoes profoundly in an age redolent with violence
and xenophobia.