A poem that charts the history of a Canadian settler's utopian vision
of a polyglot Métis nation
Louis Riel prophesied that a polyglot Métis nation would rise on the
prairies five hundred years after his death, and that it would be called
by the "joyous name" of the House of Charlemagne. This new polity would
be built on the principles of Riel's Massinahican, a radical
philosophical system which now survives only in fragments. Its hallmarks
would be justice, ontological accord, and the blurring of all
separations dividing women and men, the earth and human beings. The
House of Charlemagne tracks the birth of this ideal nation in the
burning imagination of the young settler Henry Jackson, who took the
name Honoré Jaxon after his encounter with Riel's vision.
Commissioned by Edward Poitras as a text for dancers, Tim Lilburn's poem
gives voice and body to Riel's prescient metaphysics. As the Jury
citation said of his Governor General's Award winning Kill-Site,
Lilburn's work is richly figurative, but firmly rooted in colloquial
speech. He is not only a virtuoso at the linguistic level, taking risks
with metaphor and line, but also steeped in a metaphysics of place.