The Hour of the Star, Clarice Lispector's consummate final novel, may
well be her masterpiece. Narrated by the cosmopolitan Rodrigo S.M., this
brief, strange, and haunting tale is the story of Macabéa, one of life's
unfortunates. Living in the slums of Rio and eking out a poor living as
a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend;
she would like to be like Marilyn Monroe, but she is ugly, underfed,
sickly, and unloved. Rodrigo recoils from her wretchedness, and yet he
cannot avoid the realization that for all her outward misery, Macabéa is
inwardly free. She doesn't seem to know how unhappy she should be. As
Macabéa heads toward her absurd death, Lispector employs her pathetic
heroine against her urbane, empty narrator--edge of despair to edge of
despair--and, working them like a pair of scissors, she cuts away the
reader's preconceived notions about poverty, identity, love, and the art
of fiction. In her last book she takes readers close to the true mystery
of life and leaves us deep in Lispector territory indeed.