Brooklyn's cultural life has always been deeply embedded in its
educational and social life, a life that has seen many changes through
the 19th and 20th centuries. Although it was one of the largest cities
in the US before the Civil War, Brooklyn did not have a permanent
performance institution, forcing the residents to look to New York City
for culture. This is the first book that investigates the history of
Brooklyn's three best-known performing arts institutions: Brooklyn
Academy of Music (BAM), Brooklyn Center for the Performing Arts at
Brooklyn College (BCBC), and St. Ann's Center for Restoration and the
Arts. Divided into three major sections, this work establishes the
cultural history and social context in which these three performing arts
institutions developed and thrived. Beginning first with an overview of
the birth of the city itself, the book features background histories on
the founding of BAM, BCBC, and St. Ann's with reference to their
programming, management, architecture, design, and construction. It also
expands upon the institutions' physical renovations and innovations, and
the artistic visions of changing managements throughout the years.