The prelude to The Hidden Stream conveys Stephanie Sugioka's intent with
forceful grace: "I mean the prose that surrounds these poems to tell of
the earth from which the flowers grow. For without this humble stuff of
everyday life, there would be no poems." She then invites us "to see how
these flowers have come to grow from the raw earth of my being." The
interplay of light and shadow, poem and story, of Sugioka's exquisite
memoir give access to the inner currents of a life enriched by cultural,
spiritual, and intellectual influences, but even more, of a soul attuned
to "streams and trees for nurturance and modeling." As she writes in her
poem "After Reading The Tale of Genji," - " a woman's soul is like
wind." -Suzanne Underwood Rhodes, author of Flying Yellow In her new
memoir, Stephanie Sugioka says that hers has been a life that's mostly
been "unremarkable." Readers, however, should not let that modest
appraisal deter them from following The Hidden Stream: A Life in Prose
and Verse from its source to where it meets us in the present moment. As
graceful as it is honest and heartfelt, her narrative takes readers from
her childhood, growing up in "the only Japanese-American (or any sort of
Asian) family in the small southern town of Chapel Hill, North
Carolina...in the fifties before the civil rights movement;" and then
through various relocations and life changes while she reflects on being
a daughter, wife, mother, teacher, poet, and writer. The writer asks,
"what about the dirt from which these flowers grow . . . roots, worms,
and decaying leaves?" The poems included in this memoir fold and
uncover, uncover and fold, with origami-like precision, various moments
that reward with their insight, ache, and quiet beauty. -Luisa A.
Igloria, author of The Buddha Wonders if She is Having a Mid-Life Crisis
and Ode to the Heart Smaller than a Pencil Eraser In this lovely,
thoughtful memoir of poems and prose-a hybrid form whose ancestry is the
Japanese haibun-the inner world flowers through the poems, while the
prose gives them a chronological and autobiographical frame. The work
has an eloquent clarity, purity and a genuine modesty; the reader is
respected, invited in, drawn into a world where life and art are one,
and union becomes communion as we recognize ourselves in the clear and
moving mirror of The Hidden Stream. -Eleanor Wilner, 2019 Frost Medalist
and author of Before Our Eyes: New and Selected Poems 1975-2017
