Victor Pelevin, the iconoclastic and wildly interesting contemporary
Russian novelist who The New Yorker named one of the Best European
Writers Under 35, upends any conventional notions of what mythology must
be with his unique take on the myth of Theseus and the Minotaur. By
creating a mesmerizing world where the surreal and the hyperreal
collide, The Helmet of Horror is a radical retelling of the myth of
Theseus and the Minotaur set in an Internet chat room. They have never
met, they have been assigned strange pseudonyms, they inhabit identical
rooms that open out onto very different landscapes, and they have
entered a dialogue they cannot escape -- a discourse defined and
destroyed by the Helmet of Horror. Its wearer is the dominant force they
call Asterisk, a force for good and ill in which the Minotaur is forever
present and Theseus is the great unknown. The Helmet of Horror is
structured according to the way we communicate in the twenty-first
century -- using the Internet -- yet instilled with the figures and
narratives of classical mythology. It is a labyrinthine examination of
epistemological uncertainty that radically reinvents this myth for an
age where information is abundant but knowledge ultimately unattainable.