Fierce and passionate, The Ground on Which I Stand is August Wilson's
eloquent and personal call for African American artists to seize the
power over their own cultural identity and to establish permanent
institutions that celebrate and preserve the singular achievements of
African American dramatic art and reaffirm its equal importance in
contemporary American culture.
Delivered as the keynote address of Theatre Communications Group's 11th
biennial conference in June 1996, this speech refocused the agenda of
that conference, and spurred months of debate about cultural diversity
in the American theatre, culminating in a standing-room-only public
debate at New York City's Town Hall.