Francis Ford Coppola's The Godfather, Part II (1974) is a magisterial
cinematic work, a gorgeous, stylized, auteur epic, and one of the few
sequels judged by many to be greater than its predecessor. This despite
the fact that it consists largely of meetings between aspiring
'Godfather' Michael Corleone and fellow gangsters, politicians and
family members. The meetings remind us that the modern gangster's
success is built upon inside information and on strategic planning.
Michael and his father Vito's days resemble those of the legitimate
businessmen they aspire or pretend to be.
Jon Lewis's study of Coppola's masterpiece provides a close analysis of
the film and a discussion of its cinematic and political contexts. It is
structured in three sections: "The Sequel," "The Dissolve," and "The
Sicilian Thing" - accommodating three avenues of inquiry, respectively:
the film's importance in and to Hollywood history, its unique, auteur
style and form; and its cultural significance. Of interest, then, is New
Hollywood history, mise-en-scene, and a view of the Corleone saga as a
cautionary capitalist parable, as a metaphor of the corruption of
American power, post-Vietnam, post-Watergate.