The almost complete disregard of the verse epic as a genre still worthy
of meaningful discussion and earnest investigation is all too apparent
in German literary criticism. The only attempt to view the genre in its
evolution through the centuries is Heinrich Maiworm's valuable but
necessarily somewhat perfunctory historical survey of the German epic
which appeared in the second volume of Deutsche Philologie im Auf, iss.
There is as yet, however, no literary study of the German verse epic in
the nineteenth and twentieth centuries, a period which is of particular
interest to such a study and indeed crucial to the genre itself, since
it was during this period that the novel claimed its final and
apparently irrevocable victory over its predecessor, a form which had
once been hallowed but was now declared a dead genre. It is not the lack
of sufficient material that could explain this neglect, for in terms of
sheer quantity and, we believe, not quantity alone, there is enough
material for more than one study. The prime purpose of this work, then,
is to attempt, if not to fill this conspicuous gap, at least to begin
narrowing it somewhat, and in so doing to determine in how far the
continuing existence of this vacuum in German literary appreciation is
in fact justified