Through close readings of poems covering the span of Georg Trakl's lyric
output, this study traces the evolution of his strangely mild and
beautiful vision of the end of days.
Like much German-language poetry of the years preceding the First World
War, the poems of Georg Trakl (1887-1914) are imbued with a sense of
historical crisis, but what sets his work apart is the mildness and
restraint of his images of universal disintegration. Trakl typically
couched his vision of the end of days in images of migrating birds,
abandoned houses, and closing eyelids, making his poetry at once
apocalyptic, rustic, and intimate. The argument made in this study is
that this vision amounts to a unitary worldview with tightly interwoven
affective, ethical, social, historical, and cosmological dimensions.
Often termed hermetic and obscure, Trakl's poems become more accessible
when viewed in relation to the evolution of his methods and concerns
across different phases, and the idiosyncrasies of his strangely
beautiful later works make sense as elements of a sophisticated system
of expression committed to "truth" as a transcendental order. Through
close readings of poems covering the span of his lyric output, this
study traces the evolution of Trakl's distinctive style and themes while
attending closely to biographical and cultural contexts.