It is well known in a general way that sixteenth-century French
literature looked for its models towards Greece and Rome, but the topic
is usually left there. This 1979 book begins with a reassessment of the
original meaning and use of the work of Roman rhetoricians. It also
identifies certain specific values or canons implicit in the actual
texture of Latin poetry, and shows how these transformed French
rhetorical theory and inaugurated the line of French poetry from Scève
to Valéry. Mrs Coleman examines, both in general and in the work of
Scève, Ronsard, Du Bellay and Montaigne, in particular, the way in which
Roman values were recreated in the new language and the new literary
forms. Scholars interested in the survival or prolongation of the
classical tradition will be interested, and so, of course, will
specialists in French and Renaissance literary studies.