In The Forest of Bourg-Marie, originally published in 1898, Toronto
author and musician S. Frances Harrison draws together a highly
mythologized image of Quebec society and the forms of Gothic literature
that were already familiar to her English-speaking audience. It tells
the story of a fourteen-year-old French Canadian who is lured to the
United States by the promise of financial reward, only to be rejected by
his grandfather upon his return. In doing so, the novel offers a
powerful critique of the personal and cultural consequences of
emigration out of Canada.
In her afterword, Cynthia Sugars considers how The Forest of
Bourg-Marie reimagines the Gothic tradition from a settler Canadian
perspective, turning to a French-Canadian setting with distinctly
New-World overtones. Harrison's twist on the traditional Gothic plotline
offers an inversion of such Gothic motifs as the decadent aristocrat and
ancestral curse by playing on questions of illegitimacy and cultural
preservation.