This book offers the first full length study on the pervasive archetype
of The Gothic Forest in Western culture. The idea of the forest as deep,
dark, and dangerous has an extensive history and continues to resonate
throughout contemporary popular culture. The Forest and the EcoGothic
examines both why we fear the forest and how exactly these fears
manifest in our stories. It draws on and furthers the nascent field of
the ecoGothic, which seeks to explore the intersections between
ecocriticism and Gothic studies. In the age of the Anthropocene, this
work importantly interrogates our relationship to and understandings of
the more-than-human world. This work introduces the trope of the Gothic
forest, as well as important critical contexts for its discussion, and
examines the three main ways in which this trope manifests: as a living,
animated threat; as a traditional habitat for monsters; and as a
dangerous site for human settlement. This book will appeal to students
and scholars with interests in horror and the Gothic, ecohorror and the
ecoGothic, environmentalism, ecocriticism, and popular culture more
broadly. The accessibility of the subject of 'The Deep Dark Woods',
coupled with increasingly mainstream interests in interactions between
humanity and nature, means this work will also be of keen interest to
the general public.