The early essays of the most influential French film critic of the
post-68 period.
The Footlights (1983) was the first book by Serge Daney, a film critic
admired in his lifetime by Gilles Deleuze and Jean-Luc Godard and
recognized since his premature death in 1992 as the most important
French writer on film after André Bazin. The Footlights stands apart
in Daney's body of work as the only collection of his essays he
conceived of as a book, organizing his seminal pieces from Cahiers du
Cinéma by theme and linking them with original texts that reflect in a
personal voice on the doubts, battles, and illuminations of a generation
of film lovers inspired by the explorations of Lacanian theory and
roused by the collective aspirations of Maoist dogma. In pieces on
fellow travelers Godard and Straub/Huillet, on films ranging from
Pasolini's Saló to Spielberg's Jaws, and on the difference between
film language and television discourse, Daney offers a definitive
portrait of an era of radical hope and disappointment.