The Films of Woody Allen is the first full-length study of Woody Allen
the artist as opposed to the celebrity and personality and argues that
Allen is a major artistic force. On the cutting edge of contemporary
critical and cultural consciousness, Allen challenges our notions of
authorship, narrative, perspective, character, theme, ideology, gender
and sexuality. A student and admirer of the classic Hollywood cinema,
Allen combines this appreciation for American directors with a developed
sensitivity to experimental European directors such as Fellini, De Sica
and Bergman. Probably the most widely recognized aspect of his work
involves his films that experiment with narrative, plot and psychology.
In the films dating from the early seventies, Allen develops into one of
America's great innovative directors as he takes his brilliant comic
impulses seriously. His technical, literary, visual and linguistic
innovations introduce intensity and complexity to his humour. Instead of
continuing on the path of zany comedy, he carefully creates films that
form an original union of the serious and comic.