The Films of D. W. Griffith serves as an introduction to, and a cultural
argument for, the work of the first widely acknowledged master
filmmaker. Situating D. W. Griffith within film history and American
studies, Scott Simmon addresses Griffith's competing reputations as a
genius of cinematic form and a retrograde purveyor of reactionary and
racist tales. His study includes extended discussion of Griffith's
controversial drama of the Civil War and Reconstruction, The Birth of a
Nation, and of his grandiose historical epic, Intolerance, but
identifies his enduring work within the approximately 450 shorter films
that he directed for the Biograph Company between 1908 and 1913, years
of rapid change in the film industry. Major discussion is given to the
evolution of Griffith's Biograph films about contemporary city life and
to his early domestic melodramas or 'woman's films'. In this cultural
reading, Griffith's films are located at a crisis point between two
centuries, drawing power from the popular attitudes of
nineteenth-century America as they create the patterns for the twentieth
century's most distinctive art form.