The Film Studio sheds new light on the evolution of global film
production, highlighting the role of film studios worldwide. The authors
explore the contemporary international production environment, alleging
that global competition is best understood as an unequal and unstable
partnership between the 'design interest' of footloose producers and the
'location interest' of local actors. Ben Goldsmith and Tom O'Regan
identify various types of film studios and investigate the consequences
for Hollywood, international film production, and the studio locations.