This book argues that there are deep connections between 'poetic'
thinking and the sensitive recognition of creaturely others. It explores
this proposition in relation to four poets: Marianne Moore, Elizabeth
Bishop, Ted Hughes, and Les Murray. Through a series of close readings,
and by paying close attention to issues of sound, rhythm, simile,
metaphor, and image, it explores how poetry cultivates a special
openness towards animal others.
The thinking behind this book is inspired by J. M. Coetzee's The Lives
of Animals. In particular, it takes up that book's suggestion that
poetry invites us to relate to animals in an open-ended and sympathetic
manner. Poets, according to Elizabeth Costello, the book's protagonist,
'return the living, electric being to language', and, doing so, compel
us to open our hearts towards animals and the claims they make upon us.
There are special affinities, for her, between the music of poetry and
the recognition of others.
But what might it mean to say that poets to return life to language? And
why might this have any bearing on our relationship with animals? Beyond
offering many suggestive starting points, Elizabeth Costello says very
little about the nature of poetry's special relationship with the
animal; one aim of this study, then, is to ask of what this relationship
consists, not least by examining the various ways poets have bodied
forth animals in language.