At the heart of Joshua Weiner's new book is an extended poem with a bold
political dimension and great intellectual ambition. It fuses the poet's
point of view with Walt Whitman's to narrate a decentered time-traveling
collage about Rock Creek, a tributary of the Potomac that runs through
Washington, DC. For Weiner, Rock Creek is the location of myriad kinds
of movement, streaming, and joining: personal enterprise and financial
capital; national politics, murder, sex, and homelessness; the Civil War
and collective history; music, spiritual awakening, personal memory, and
pastoral vision. The questions that arise from the opening foundational
poem inform the others in the collection, which range widely from the
dramatic arrival of an uncanny charismatic totem that titles the volume
to intimate reflections on family, illness, and dream visions. The
virtues of Weiner's earlier books--discursive intelligence, formal
control, an eccentric and intriguing ear, and a wide-ranging curiosity
matched to variety of feeling--are all present here. But in The Figure
of a Man Being Swallowed by a Fish, Weiner has discovered a new poetic
idiom, one that is stripped down, rhythmically jagged, and
comprehensively philosophical about human limits.