The rootless Jew, wandering disconnected from history, homeland, and
nature, was often the target of early twentieth-century nationalist
rhetoric aimed against modern culture. But following World War II, a
number of prominent French philosophers recast this maligned figure in
positive terms, and in so doing transformed postwar conceptions of
politics and identity.
Sarah Hammerschlag explores this figure of the Jew from its prewar usage
to its resuscitation by Jean-Paul Sartre, Emmanuel Levinas, Maurice
Blanchot, and Jacques Derrida. Sartre and Levinas idealized the Jew's
rootlessness in order to rethink the foundations of political identity.
Blanchot and Derrida, in turn, used the figure of the Jew to call into
question the very nature of group identification. By chronicling this
evolution in thinking, Hammerschlag ultimately reveals how the figural
Jew can function as a critical mechanism that exposes the political
dangers of mythic allegiance, whether couched in universalizing or
particularizing terms.
Both an intellectual history and a philosophical argument, The Figural
Jew will set the agenda for all further consideration of Jewish
identity, modern Jewish thought, and continental philosophy.