Charles Le Brun's drawing manual on human emotions has been used for
centuries by artists and students as a model for depicting facial
expressions. In David Schutter's work, Le Brun's manual is set to a
different direction--a series of abstract drawings recalling vestiges of
the human face animated by emotion. But Schutter's drawings are neither
copies nor portraiture. Rather, they are reflections on how Lebrun's
renderings were made.
Collected here, Schutter's work recreates not the subject matter but the
very values of Lebrun's drawings--light, gesture, scale, and handling of
materials. The cross-hatching in the original was used to make classical
tone and volume, in Schutter's hand the technique makes for unstable
impressions of strained neck and deeply furrowed brow, or for drawing
marks and scribbles unto themselves. As such, these drawings end up
denying a neat closure--unlike their academic source material--and
render unsettling states of mind that require repeated viewing.
Accompanied by essays from art critic Barry Schwabsky and Neubauer
Collegium curator Dieter Roelstraete, The Escape will appeal to
students, critics, and admirers of seventeenth-century, modern, and
contemporary art alike.