This book deals with the results of theoretical and ex- perimental
studies of the emotions which my colleagues and I carried out over the
last two decades. An interest in the psychology of emotions prompted us
to undertake an analysis of the creative legacy of K. S. Stanislavsky. A
result of this analysis was the book, The Method of K. s. StanisZavsky
and the PhysioZogy of Emotions, written in 1955-1956 and published by
the Academy of Sciences of the USSR in 1962. I am grateful to the first
reader and critic of the manuscript, Leon Abgarovich Orbeli. In 1960,
having transferred to the Institute of Higher Nervous Activ- ity and
Neurophysiology of the Academy of Sciences of the USSR, I had the
opportunity to conduct experiments on prob- lems that had interested me
for a long time. In close scien- tific association with Peter
Mikhailovich Ershov, director and teacher of theater, I began a
systematic study of the in- voluntary and electrophysiological shifts in
actors during voluntary production of various emotional states. Here
comparatively quickly we became convinced that the fruitfulness of such
studies rests on an absence of any kind of developed, systematic, and
sound generaZ theory of the emotions of man and the higher mammals. We
will illustrate our difficulties if only with one example. We had
frequently read of the so-called "emotional memory.