Surveying four-hundred years of British history, Walker examines how the
memory - the icon - of Queen Elizabeth has been used as a marker for
Englishness in disputes political and social, in art, literature and
popular culture. From her second Westminster tomb to the pseudo-secret
histories of the Restoration, from Georgian ballads to Victorian
paintings, biographies, children's books, Suffragette banners, novels
and films, trends in scholarship and rubber bath ducks, the icon becomes
more powerful as the idea of Englishness becomes more arbitrary.