The Dutch Courtesan is a riotous tragicomedy that explores the
delights and perils afforded by Jacobean London. While Freevill, an
educated young Englishman and the play's nominal hero, frolics in the
city's streets, taverns and brothels, Franceschina, his cast-off
mistress and the Dutch courtesan of the play's title, laments his
betrayal and plots revenge. Juxtaposing Franceschina's vulnerable
financial position against the unappealing marital prospects available
to gentry women, the play undermines the language of romance, revealing
it to be rooted in the commerce and commodification. Marston's
commentary on financial insecurity and the hypocritical repudiation of
foreignness makes The Dutch Courtesan truly a document for our time