The Drunkard is one of the first full-length stream-of-consciousness
novels written in Chinese. It has been called the Hong Kong Novel, and
was first published in 1962 as a serial in a Hong Kong evening paper. As
the unnamed Narrator, a writer at odds with a philistine world, sinks to
his drunken nadir, his plight can be seen to represent that of a whole
intelligentsia, a whole culture, degraded by the brutal forces of
history: the Second Sino-Japanese War and the rampant capitalism of
post-war Hong Kong.
The often surrealistic description of the Narrator's inexorable descent
through the seedy bars and night-clubs of Hong Kong, of his numerous
encounters with dance-girls and his ever more desperate bouts of
drinking, is counterpointed by a series of wide-ranging literary essays,
analysing the Chinese classical tradition, the popular culture of China
and the West, and the modernist movement in Western and Chinese
literature.
The ambiance of Hong Kong in the early 1960s is graphically evoked in
this powerful and poignant novel, which takes the reader to the very
heart of Hong Kong. Hong Kong director Freddie Wong made a fine film
version of the novel in 2004.