When is "closure" in fact "false closure", the deceptive opposite of
apparent conclusion or perfection? 2009 marked the twentieth anniversary
of the publication of Don Fowler's seminal essay "First Thoughts on
Closure: Problems and Prospects" (MD 22: 75-122), a work that
contributed greatly to bringing about a broad reconsideration in Ancient
literary studies of the concept of closure whether understood as an
ontological feature, an aesthetic concept, an appreciative inclination
on the part of a work's audience or a psychological desire of the
individual to control the "text" at hand. The present volume, 'The Door
Ajar: False Closure in Greek and Roman Literature and Art', seeks to
mark both a debt to the ongoing influence of Fowler's work, and to frame
a future discourse on false closure in particular as an artistic
phenomenon.