An examination of the ways major novels by Marcel Proust, James Joyce,
and Virginia Woolf draw attention to their embodiment in the object of
the book, The Death of the Book considers how bookish format plays a
role in some of the twentieth century's most famous literary
experiments. Tracking the passing of time in which reading unfolds,
these novels position the book's so-called death in terms that refer as
much to a simple description of its future vis-à-vis other media forms
as to the sense of finitude these books share with and transmit to their
readers.
As he interrogates the affective, physical, and temporal valences of
literature's own traditional format and mode of access, John Lurz shows
how these novels stage intersections with the phenomenal world of their
readers and develop a conception of literary experience not accounted
for by either rigorously historicist or traditionally formalist accounts
of the modernist period. Bringing together issues of media and
mediation, book history, and modernist aesthetics, The Death of the Book
offers a new and deeper understanding of the way we read now.